Here are the productions released on the Jazzis Records label. The label is dedicated to documenting important music created by Israeli artists, but also includes contributions by many visiting musicians from abroad. Although originally dedicated primarily to jazz, the releases cover a vide spectrum of music, ranging from mainstream jazz to avantgarde jazz, jazz-rock, art-rock and progressive rock. For more detailed description please see here.

32 Items Found:

BIOLOGICAL MADNESS ~ BIOLOGICAL MADNESS
JAZZIS 1011 ~ ISRAEL ~ Jazz-Rock Fusion


This recording presents the best Israeli Jazz-Rock Fusion band. It`s full of brilliant performances by the musicians and introduces some of the most interesting compositions by the young generation of Israeli jazz players. Excellent musicianship and great talent are the key factors to the success of this band.
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CHANGES ~ CHANGES
JAZZIS 1022 ~ ISRAEL ~ Progressive Rock


This is a debut release by the most interesting Israeli jazz-rock trio called Changes. The choice of material for this recording is quite unusual, varying from completely improvised pieces to carefully arranged compositions. Included is a brilliant version of George Gershwin`s `Summertime` and a world premiere recording of `Dawn` by Bela Bartok.
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GRAHAM COLLIER ~ ADAM`S MARBLE
JAZZIS 1025 ~ UK ~ Jazz

Recorded: 1995 Released: 1995

I’ve met Graham CollierFind albums by this artist in the late 1960s in London and I’ve been a devoted follower of his amazing music ever since. In 1986 I organized an Israeli tour for Graham and his group, travelling with them around the country. Graham surprised me with an unusual gift, by writing a jazz suite called “Adam’s Marble”, which was dedicated to me. The “Marble” part (if anybody’s wondering) refers to the task of dedicating one’s life to music, which can be as difficult as chiseling a statue out of a piece of marble, and as glorious. Ever since I started my JazzisFind albums on this label Records label in 1987 I dreamt about recording “Adam’s Marble”, which remained unrecorded for several years. Finally in 1995 I managed to organize another tour for Graham, this time heading a delegation of his students from London, which was combined with a group of Israeli music students. These 15 young and extremely talented musicians rehearsed the difficult music Graham composed in record time and I recorded the Big Band with Graham conducting. For the recording I also invited my all-time favorite Israeli musician and friend Harold RubinFind albums by this artist, to serve as the guest soloist. The resulting album is truly amazing. Graham’s compositions, brilliant as always, combined with the youthful spirit of the musicians, worked wonders. Every time I listen to the album I just can’t help myself feeling really proud of being able to add this gem to Graham’s recorded legacy.
Here is what Graham has to say about the music:
“Adam´s Marble” was especially composed for a tour of Israel in 1986 by my own small group. The composition is dedicated to Adam Baruch, promoter of the 1986 tour, and now owner of Jazzis Records, an important record label on the Israeli jazz scene. The piece was a difficult one to develop and its title grew out of a statement by Michelangelo: “There is nothing in the mind of the artist, which is not already contained in the piece of stone before him. All that he has to do is to get rid of the superfluous.” The composition has been expanded for this project to feature a larger group of 15 musicians.
“Bright As Silver” (for Don & John) has been especially composed to accompany “Adam´s Marble” for the concerts and recording. Although it was written as a dedication to two close friends of mine, whose long illnesses accompanied the writing and who passed away the day after the piece was finished, the composition is not meant to be morbid. Its title, a phrase about the sun, is meant to link my friends, who both lived in the Mediterranean, with this project in Israel. The phrase sums up the spirit of both men and that of the musicians involved here.
“Aberdeen Angus” was originally written in 1967 and recorded on “Down Another Road” LP. Its revival for this project has acted as a welcome reminder that there was an inherent openness in such pieces, a precursor of the style that now dominates my writing.
The Musicians: The musicians are all studying at either the Royal Academy of Music in London, England, or the Rimon School of Jazz and Contemporary Music in Ramat HaSharon, near Tel-Aviv, Israel. They should be considered as young professionals, some on the threshold of their careers, some already in the process of getting established in their respective countries. I hope that this project will start them on the road to international recognition.
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IGAL FONI ~ FOR ELEVATORS?
JAZZIS 1019 ~ ISRAEL ~ Jazz


The music presented here features Igal Foni as a member of two ensembles, both led by American musicians, one with his old Israeli partners and the other with his current French colleagues. Igal lives now in Paris, performing with some of the world`s most prestigious jazz masters, but his roots are still very much in his native Israel.
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BORIS GAMMER ~ EIGHT TILL LATE
JAZZIS 1014 ~ ISRAEL ~ Jazz


This is a debut album by Boris Gammer, one of the most prominent jazz musicians in Israel. Boris Gammer is a renowned for his activities as player, arranger, composer, band-leader and teacher in the Jazz Department of the Rubin Music Academy in Jerusalem. His exceptional gift for improvisation is self-evident from this recording.
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SHLOMI GOLDENBERG ~ TO YOU
JAZZIS 1018 ~ ISRAEL ~ Jazz


The material included on this CD is comprised of two recording sessions featuring the two groups led by Shlomi Goldenberg in the USA. The members of his quartet rank among the finest jazz players available, including the legendary bass player Gary Peacock.
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OFER ISRAELI ~ CLASH
JAZZIS 1008 ~ ISRAEL ~ Jazz


When Ofer Israeli decided to make this recording, the emphasis was not to be on his ability as a player, but as an integral jazz musician. He picked his colleagues carefully, considering their abilities to cooperate and contribute to his music. There is no doubt that he succeeded in his task.
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EYRAN KATSENELENBOGEN ~ JAZZONETTES
JAZZIS 1010 ~ ISRAEL ~ Jazz


Eyran is hardly a beginner in his art. He started taking piano lessons at the age of 6 and his studies of classical and jazz music continue to this very day. The resulting combination of classical background, vast theoretical knowledge of the instrument, a rare improvisational ability and a deep feeling for the music is documented here by this recording.
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EYRAN KATSENELENBOGEN ~ ONE TIME
JAZZIS 1023 ~ ISRAEL ~ Jazz


This second album by the pianist, composer and improviser, Eyran Kacenelenbogen, provides him with an opportunity to review the music that influenced him since his childhood. He adds his personal experiences to the basic motifs, creating layers of musical tapestries. This album should again become a favourite both by jazz and conteporary classical music connoisseurs.
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KEDMA ~ FACING EAST
JAZZIS 1003 ~ ISRAEL ~ Jazz


A debut album by a most original trio, playing music based on the jazz heritage and incorporating the elements of Eastern music. They create some of the most fascinating jazz music originating in Israel. All the members of this group have their unique styles and together they succeed to produce an unusual mixture of musical ideas, rhythms and melodies.
Customers' Comments
Christopher  Brice
In 1988, Adam said: “Kedma”, which in Hebrew means both the ancient past and distant feature, is an excellent example of a true fusion of musical expressions from the East and the West. The group, formed by Jean-Claude Jones in 1986, began as a duo, consisting of Jean Claude and Steve. Jerry joined the group in 1987. Together, they create some of the most fascinating jazz music originating in Israel. Please lend it your ears! Jean-Claude Jones - Guitar & Bass Guitar Steve Paskoff - Guitar Jerry Garval - Drums, Percussion & Trombone I heard them last Sunday evening, in an informal setting with some other Israeli musicians - JC is playing jazz again!

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LIZ MAGNES ~ PIYUTIM
JAZZIS 1007 ~ ISRAEL ~ Jazz


It seems unimaginable at first to attempt building a bridge between two musical forms so isolated from each other, as medieval Jewish liturgical music and jazz. These recordings show, that human creativity and musical talent will always go beyond the unimaginable. The beauty and elegance of this music will delight and gratify each listener
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LIZ MAGNES ~ SOLO ARGOV
JAZZIS 1004 ~ ISRAEL ~ Jazz


An album of solo piano improvisations based on the compositions by Alexander `Sasha` Argov - the legendary Israeli composer. Liz Magnes should be admired both for her creativity, which is obvious to anyone listening to the material included on the album, and for her courage to tackle this difficult material, without being banal or trivial.
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MAGRIS, ROBERTO / ISRASEXTET ~ LIFE IN ISRAEL
JAZZIS 1012 ~ ISRAEL ~ Jazz


Roberto Magris and his Quartet arrived from Italy to make this recording with two Israeli partners - Larry Smith and Ofer Israeli. Despite all fears, everything worked like magic, and the resulting sessions include a most gratifying collection of beautiful melodies and great performances by the musicians.
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TOVY MESHOULAM ~ ACOUSTICS
JAZZIS 1017 ~ ISRAEL ~ Jazz


This ensemble of ten Israeli jazz musicians is unique in many ways. The usage of acoustic wind instruments without support of any harmonic instruments produces an unorthodox sound. The skillful arrangements emphasize the variety of sounds made by the brass and reeds. It is also a meeting between veteran and master musicians and promising youngsters.
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TOVY MESHOULAM ~ ETERNALLY SPONTANEOUS
JAZZIS 1024 ~ ISRAEL ~ Jazz


On his second album, band leader, arranger and composer Tovy Meshoulam presents a series of original compositions written by himself and by two other young Israeli composers. Tovy`s brilliant arrangements add soul to this astounding music and create a tapestry of sound never before heard in this country. One can only hope that this album will become a `classic`.
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TOVY MESHOULAM ~ SLIDE BY SLIDE
JAZZIS 1027 ~ ISRAEL ~ Jazz

Recorded: 1995 Released: 1997

Jazz and chamber music are similar in that, while both require an intricate interaction between the performers, they also allow for unique personal expression - in sound and in musical interpretation. This is why these two seemingly distant musical styles can be so successfully combined. This album is an example of such a combination. The trombone quartet featured on this CD was formed by Tovy MeshoulamFind albums by this artist. Meshoulam, one of the leading trombone players in Israel, is also a prominent composer, arranger, conductor and music instructor. On this CD, he combines all of these: the quartet which is led by him, and whose other members are three of his best students - plays several compositions and arrangements by Tovy. The material on this album ranges from jazz compositions by some of the greatest writers, through artistic interpretations of popular songs, to modern chamber music of complex harmonic contexts. The selection and diversity of material fully demonstrates the unique sound and character of the trombone quartet. If you are fond of jazz or chamber music, you will without a doubt enjoy this unusual album.
Side Note: The above are my liner notes for this album.
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MODUS ~ MODUS
JAZZIS 1013 ~ ISRAEL ~ Jazz-Rock Fusion


This is a debut album by Modus, a quintet of young Israeli musicians, who play a variety of styles and moods. The quality of the original compositions presented on this record is especially impressive. Regardless of the label one wishes to put on this music, one thing is sure - this is jazz at its best - creative, swinging and stimulating.
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ODEON ~ ODEON
JAZZIS 1015 ~ ISRAEL ~ Progressive Rock


This recording portrays the talents of two very young and very talented musicians from Haifa, who combine their individual musical skills and inclinations in order to create a kaleidoscope of partly composed and partly improvised musical inventions. Their dexterity will surely win them many followers in the future.
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RAM-RIMON PROJECT ~ MISCELLANEOUS ITEMS
JAZZIS 1026 ~ ISRAEL ~ Jazz


The idea behind this project was to put together jazz students from two different environments and see how things work out, all this in a short period of time. The results are stunning.
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HAROLD RUBIN ~ CLARINETVOYANCE
JAZZIS 1006 ~ ISRAEL ~ Jazz

Recorded: 1987 - 1989 Released: 1990

Harold RubinFind albums by this artist is undoubtedly the most interesting and spectacular jazz musician ever on the small Israeli scene. I first met Harold in 1987, when he formed the legendary group ZaviotFind albums by this artist and approached me to become their producer, which eventually resulted in the foundation of my JazzisFind albums on this label label and the Zaviot eponymous album as its first release. Shortly before Zaviot was formed, Harold picked up the clarinet for the first time in over 12 years, after he put music aside upon his immigration to Israel from his native South Africa. He used to play Jazz in SA of course, with his quartet and with the black musicians of the Sophiatown disctrict (Soweto did not exist then), where he used to sneek in at night, which for a white Jewish boy was quite unthinkable at that time. The legendary SA Jazz pioneer Kippy MoeketsiFind albums by this artist was his close friend. Harold’s work with Zaviot is of course both revolutionary and legendary, but his true nature as an improviser and free spirit was somehow constrained by the limits of the music Zaviot played. When I realized that, I used every opportunity to capture Harold playing in a variety of settings in parallel to the recordings made with Zaviot, especially when musicians visiting Israel were available and open enough to take part in spontaneously and often hastily arranged recording sessions. Soon there was enough material to release Harold’s first album as a leader, using the accumulated material, which was to become Clarinetvoyance. This is the fist album recorded in Israel, documenting the process of collective improvisation and the free form music and I am proud to say a most notable addition to the Israeli jazz heritage. The duet with the German pianist Christoph SpendelFind albums by this artist was recorded during the sessions, which produced the Tel-Aviv Connection album (Jazzis). The trios with Charles BurnhamFind albums by this artist were recorded when the String Trio Of New YorkFind albums by this artist, of which he was a member, toured Israel. The long and complex improvised suite (Clairvoyance) was recorded when the Russian pianist Leonid ChizhikFind albums by this artist and bassist Victor DvoskinFind albums by this artist came to Israel to play at the Eilat Jazz Festival. The rest of the pieces are duos with various Israeli musicians that Harold likes to play with. This is deeply emotional music, which requires attentive listening, but is able to lift the listener to lofty spiritual planes rarely achieved by listening to ordinary music.
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HAROLD RUBIN ~ TRIALOG
JAZZIS 1021 ~ ISRAEL ~ Jazz

Recorded: 1993 Released: 1993

My meeting with Harold RubinFind albums by this artist and his music turned to be one of the crucial points of my life. Harold, who was at the time a member of the group ZaviotFind albums by this artist, impressed me immensely both as a person and a musician. His amazing way of playing the clarinet, the unusual voicing and the topsy-turvy twisting of the melody lines both inspired me and shook me up in spite of the fact that I did have decades of musical experiences behind me, mostly in the Jazz milieu. Now, many years later, I’m still under his spell and every new production involving Harold feels as fresh and exciting as ever. I suppose that the reason that the reason for Harold’s musical magic is a result of the continuous change and development of his Art. In retrospect I can see clearly the direction his music has been taking and it’s no surprise that this album is much more free and improvised that his earlier recordings. I consider Harold to be the most natural Jazz musician in Israel, and so is his music. Therefore it’s only natural that he drifts towards the oral culture of his native South Africa, rather than towards the westernized melody lines, thus following the path well set by great Jazz Masters before him. Harold’s partners on this album belong to another generation, but they have a lot in common with their mentor. They are also natural musicians, mostly self-educated, and therefore free of the limitations imposed by repetitive playing of worn out Jazz standards. Kobi ShefiFind albums by this artist has been playing with Harold for several years, and in time switched from guitar to bass guitar, providing both the pulse and the additional solo voice of the trio. He also contributes considerably to the trio’s creative ambience. Asaf SirkisFind albums by this artist is a recent addition to the trio, but his assimilation in these new musical surroundings is truly remarkable. Asaf is featured on many JazzisFind albums on this label releases and his ability to play in different styles, always in top form, proves his great talent. I should emphasize that this trio is not in any sense a standard leader / sidemen setting. This unique combination of three individuals, whose collected talents and skills create a greater whole, prevails in as atmosphere of mutual respect and admiration, while its members keep inspiring each other continuously. Fellow Israeli Jazz musicians often criticize Harold Rubin for being an amateur, a freak, and a free spirit. This controversy is not new to Jazz and all I can say is that the narrow-mindedness and stupidity are unfortunately also a part of the Jazz world. I hope that Harold’s individuality and ingenuity prevails for many years to come, uplifting the spirits of those fortunate enough to comprehend and cherish it.
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HAROLD RUBIN ~ TRION
JAZZIS 1028 (Barcode: 663330102822) ~ ISRAEL ~ Jazz

Recorded: 2006 Released: 2007

I have met Harold RubinFind albums by this artist twenty years ago, when he approached me with a proposition to release the debut ZaviotFind albums by this artist album on my newly established JazzisFind albums on this label Records label. This opened a friendship and a cooperation with lasts since then. I learned to appreciate Harold’s music and love it dearly, not only as a producer of many of his albums but also as an avid Jazz listener, and his constantly changing music and outstanding talent have been a constant source of joy and inspiration. Harold is such an astounding musician and such a unique voice that his creation stands out like a torch in a dark night. Totally disregarding trends and fashions, genres and pre-conceptions he is able to bring into being a completely original music of staggering beauty and deeply moving emotion. Although it might sound inappropriate, in my opinion Harold is one of the most important Jazz musicians worldwide in the last two decades. As someone who has access to almost every Jazz album released anywhere on this planet I’m completely convinced that he has very few peers of matching quality and surely none whatsoever on his instrument – the clarinet. This album documents the music recorded by Harold with his trio (Shmil FrankelFind albums by this artist – bass and Ram GabayFind albums by this artist – drums), which includes (as usual) young Israeli players. The trio is Harold’s preferable platform, as it allows on one hand plenty of interplay and co-creation and on the other leaves plenty of space for individual statements. Most of the music was written by Harold, who also uses his voice (and sometimes lyrics) to express his emotions as an alternative instrument. Of course Harold is also a great graphic artists so I was only glad to use his drawing of the trio members on the front cover of the sleeve. To those, who are familiar with Harold’s music, this will be one more magnificent addition to his outstanding legacy. Those, who are unfamiliar with his music, have now a new chance to get to know something they have been missing in their lives. Any Jazz fan around the world, who has never heard a Harold Rubin album, is simply ignorant of the most important Jazz voice on this planet.
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SASI SHALOM / MODUS ~ THE WAY I SEE IT
JAZZIS 1020 ~ ISRAEL ~ Jazz-Rock Fusion


This is the second release by the group Modus led by Sasi Shalom - one of the most gifted young Israeli jazz musicians and composers. This recording presents an international group consisting of American, German and Israeli young jazz players, all of them extremely talented and well experienced. This enchanting and mesmerizing compositions are truly outstanding.
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OFER SHAPIRO ~ TWO VIEWS
JAZZIS 1029 (Barcode: 663330102921) ~ ISRAEL ~ Jazz

Recorded: 2010 Released: 2010

What a pleasure to be able to round off a year with a new release on my own label! This excellent album by Israeli saxophonist / composer / arranger Ofer ShapiroFind albums by this artist is a real treat not only for me, but for every Jazz lover around the globe. At the time when Jazz seems to be lost and the majority of Jazz albums recorded are simply going nowhere, this album is a pillar of sanity, pointing towards where Jazz should be going. Beautiful compositions, perfect and sensitive delivery, eschewing gimmickry and show off, this is simply a perfect example of music done for the sake of music. Neither Ofer nor I had any intentions of proving anything here. This was simply a piece of music, which Ofer had to record and I had to release, as it would have been a crime to leave it unearthed and as a result not enjoyed by many. The other members of the quintet, three Israeli musicians: guitarist Ofer GanorFind albums by this artist, bassist Assaf HakimiFind albums by this artist and drummer Shay ZelmanFind albums by this artist, and the great American baritone saxophonist Gary SmulyanFind albums by this artist (who was invited in advance by Ofer to take part in this recording during his visit in Israel) are all seasoned players, but the chemistry displayed here goes way beyond simple skillfulness, these guys really cook! The individual compositions were the first thing that really caught my attention, reminding me immediately of the great Jazz standards composed by such Giants as Wayne ShorterFind albums by this artist and Herbie HancockFind albums by this artist in their heyday. Therefore when I saw in the notes, which Ofer sent to me, that the first tune is a tribute to Wayne, a fuzzy warm feeling filled my chest – we were on the same wavelength. Although the album creates the impression of being recorded sometime in the 1960s (stylistically, mind you, not sonically, as the recording quality is just superb), it is definitely not dated, on the contrary it is modern in every way. It simply synthesizes the best of the Jazz heritage and legacy into a modern form, preserving the beauty and the gutsy feel and adding contemporary sound and approach, mainly as far as the arrangements and the individual improvisations are concerned. I´m proud of being a part of this project and can´t imagine any Jazz lover not enjoying this music to the fullest. As I said in my short liner notes: "It´s an immense pleasure, as usual, to release another excellent Israeli Jazz album. The maturing Israeli Jazz scene produces many exceptional Artists, Ofer Shapiro being a fine example of this phenomenon. Listen and enjoy!"
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SHATEA ~ WAITING
JAZZIS 2001 ~ ISRAEL ~ Progressive Rock

Recorded: 1992 Released: 1992

JazzisFind albums on this label Records are proud to release the debut CD by the most sensational rock group in Israel in many years - ShateaFind albums by this artist. The members of Shatea are all Israeli Arabs living in Haifa, and they are the first rock group in Israel, which plays rock music with vocals in the Arabic language, a novelty which aroused an unprecedented interest in the media. Even before the CD was released, Shatea were interviewed by all the major Israeli newspapers and appeared at the most prestigious TV and Radio shows - a success never accomplished before by any other rock group in this country. The music of Shatea is based on the tradition of Progressive Rock of the 70´s and their models are groups like Pink FloydFind albums by this artist and Deep PurpleFind albums by this artist, but they have developed a highly individual style and sound, bringing the music right up to date. The skillful arrangements and beautiful compositions make this CD a great achievement in the history of rock music in this country. Safa´a AmmarFind albums by this artist is the first Arab female vocalist performing together with male musicians on an equal basis. Her strong, clear and electrifying voice is only one of the group´s many advantages. Her partners are all gifted musicians, and the instrumental parts on this CD are no less thrilling then the vocal ones. Klofa TotaryFind albums by this artist plays some great guitar licks and the complicated musical background is carefully executed by the keyboard players Kareem NusserFind albums by this artist and Sami KambouraFind albums by this artist, well supported by the bass pulsations by Raymond HaddadFind albums by this artist and rock-solid drumming by Samer AzarFind albums by this artist. This release proves, yet again, the importance of Jazzis Records as the leading force behind many artistic achievements in Israeli music. Our persistence to keep producing original Israeli jazz and rock recordings creates the only chance for this wonderful music to be recorded, released and distributed to many attentive music lovers worldwide. As the only independent record label in Israel we´re proud of our results, hoping for many more in the future. This CD contains five songs in Arabic, two in English and one instrumental. Very unique!
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TACT ~ DOWNTOWN
JAZZIS 1016 ~ ISRAEL ~ Jazz-Rock Fusion


Tact is one of the most dynamic jazz groups on the Israeli scene. They play original compositions by the leader / guitarist Shaul Ling and prove yet again that the new generation of Israeli musicians has many talents. All the members of the group are excellent instrumentalists and improvisers.
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TEL-AVIV CONNECTION ~ THE TEL-AVIV CONNECTION
JAZZIS 1002 ~ ISRAEL ~ Jazz


During his visit in Israel in December 1987, the German pianist Christoph Spendel recorded this album with members of Zaviot and Jerry Garval. The musical rapport between Christoph and his Israeli partners is quite overwhelming. A wonderful synergy leading to further cooperation.
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WHITEFLAG PROJECT ~ RAIN (AUTOGRAPHED SINGLE)
JAZZIS ~ ISRAEL ~ Jazz-Rock-World Fusion

Recorded: 2008 Released: 2009

1st single from the WhiteFlag ProjectFind albums by this artist album "TalkFind albums with this title", autographed by Gani TamirFind albums by this artist and Mark SmulianFind albums by this artist.
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WHITEFLAG PROJECT ~ TALK
JAZZIS 2002 (Barcode: 663330200221) ~ ISRAEL ~ Jazz-Rock-World Fusion

Recorded: 1998 - 2008 Released: 2009

The Israeli / Palestinian band WhiteFlag ProjectFind albums by this artist is a completely unique phenomenon on the world music scene. Founded in 1998 by songwriter, bassist, vocalist, producer Mark SmulianFind albums by this artist (a founding member of the legendary band ZaviotFind albums by this artist, who also recorded on JazzisFind albums on this label Records), his wife, singer Gani TamirFind albums by this artist with a group of Israeli players and Palestinian musicians from the Gaza strip, the band went through a convoluted history, as complex and torturous as the People of the Middle East themselves (There is an extensive coverage of the band´s history on their website). In the process the band managed to record a demo CD in Switzerland in 2005 and continued recording sporadically, whenever the circumstances allowed it, until 2008, when Smulian collected their entire recorded material and spent months in the studio mixing, overdubbing and polishing it, to create this, their debut album. The result is a stunning display of talent, ingenuity, dedication and musical intensity rarely found on this planet. A sublime mixture of Rock, Prog, Jazz and a plethora of World Music motifs, mostly from the incredibly rich heritage of Middle Eastern music, the album consists of ten beautiful tunes, all co-composed by Smulian and Alhaj. Other musicians taking part in the project are vocalist Yasin HussenFind albums by this artist, guitarist Aharele LibermanFind albums by this artist, Salech AwadFind albums by this artist on darbuka, Zaher Abed Al-JawadFind albums by this artist who plays oud and violin, keyboardist Shadi AlhajFind albums by this artist and percussionist Katya CooperFind albums by this artist. Many more musicians appear as guest on the album. Although hardly objective, being the album´s executive producer and releasing it on my label, I stand 100% behind this music, not only because of what is symbolizes, but foremost because it is simple divine music. I can not imagine anybody not liking it, and I assure you that repeated listening will reveal many hidden treasures. This music hits you straight in the soul, it´s irresistible and overwhelming! Give it a chance!
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ZADLO-RUBIN-PARPAR ~ SPRINGTIME IN WINTER
JAZZIS 1009 ~ ISRAEL ~ Jazz

Recorded: 1990 Released: 1990

This is a very special album for me, reaching far beyond the concept of capturing, for eternity, the magic moments of musical creation. It’s an epitome of the many bonds of friendship between people involved in the Jazz scene worldwide, as well as a document of the creative process involved with group improvisation. Leszek Zadlo, who left Poland – his troubled homeland – in the 1970’s, to live and create music in Germany, is today one of the most important Jazz musicians in Europe, and for me the best European saxophonist. His technique is brilliant and his improvisational skills unrivaled. This, combined with his charming personality, makes him a wonderful person and a dear friend since many years. Our common Polish cultural background is just one of the many layers of this friendship. Harold is of course another dear friend, with whom I had the privilege to experience some of the most exceptional moments in Israeli Jazz, since the early days of his first group Zaviot. His enormous vitality and esprit de corps (almost hyperactivity) are best illustrated by the fact, that at the time of this recording Harold was the leader of two separate groups, both called Parpar (Hebrew for butterfly). Therefore it was only natural to include both groups in this session. Leszek and Harold met several times in Germany, when Zaviot toured Europe. They developed an instant liking for each other as well as a phenomenal musical rapport. I’m happy to be the catalyst behind their friendship and this magnificent music. When the Goethe-Institut in Tel-Aviv decided to help us and bring Leszek for a tour in Israel, I immediately booked studio time to make this recording, since I knew about Leszek’s and Harold’s urge to play and record together. Their concerts in Israel as well as this recording are the best proof of the fact that human talent and creativity have no limits and know no borders. This album is dedicated to the People of Eastern Europe, for whom the Winter of 1989 / 1990 was really the most wonderful Spring they had experienced in decades.
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ZAVIOT ~ UNEXPECTED
JAZZIS 1005 ~ ISRAEL ~ Jazz-Rock Fusion


This recording is a result of many unexpected factors, the most wonderful of which is the participation of the great American saxophone player, Dave Liebman. Dave and the members of Zaviot play as if they knew each other for many years. This recording demonstrates that Zaviot are a key element in Israeli jazz music.
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ZAVIOT ~ ZAVIOT
JAZZIS 1001 ~ ISRAEL ~ Jazz-Rock Fusion


A debut album by the best and the most original Israeli jazz group in the late 80`s. Since the release of this album in July 1987, Zaviot have become the most popular jazz group in Israel and achieved international recognition by playing in Europe at many festivals and clubs.
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